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تاريخ تكميلي كفشهاي هيلز يا پاشنه دار
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اگه دقت كنين خيلياش به يكم تغيير دوباره و دوباره به دنياي مد برگشته مثل كفش هاي نوك تيز ، كفش هاي ترنسپرنت و خيلياي ديگه
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شما بنظرتون كدوما دوباره تكرار شدن؟ يا ممكنه در آينده كدوم مدلارو بازم ببينيم؟
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1910’s
This evening gown is inspired by the early part of the decade when opulence and luxury defined the upper class (think Titanic and Downton Abbey). Multiple outfit changes were the norm; from daywear to eveningwear. Silhouettes softened, waistlines rose, and skirts were tapered and shorter than previous years. As the decade progressed, fashion across the board became more practical and utilitarian due to WWI. Women started joining the workforce, and as a result, wore uniforms. This played an important role in legitimizing the status of women in their war relief efforts. Rationing and functionality also contributed to muted colors and shorter skirts.
Thank you @yangsters5 for generously donating your occasion dresses for future projects. I used part of your sage dress to make this gown. Lots of yardage left to create another look
1930’s
The difficult economic conditions of the Great Depression gave birth to the rise of ready-to-wear clothing and cheaper mass-produced fabric. This made it easier for all women to be fashionable, regardless of wealth. Despite the financial hardships experienced, 30’s fashion was also heavily influenced by Hollywood glamor as people flocked to theaters as a form of escapism.
I chose to focus on eveningwear, which highlights the femininity of this period. Silky, bias-cut dresses created long, lean silhouettes and hugged the body in a way that had previously never been seen. I used an old slip to create this look and tried to be as economical with fabric as possible. As a result, this dress is not a bias-cut (cut at a 45 degree angle to the grain line) dress but let’s just pretend it is
1950’s
Christian Dior’s debut collection, the “New Look”, featured looks that were a radical departure from post-war fashions of the 1940’s. He introduced an ultra feminine silhouette characterized by a cinched waist and a long, full skirt. After years of rationing fabric due to war and economic difficulties, this new style was considered very extravagant. Naturally, there were mixed emotions; most welcomed the new silhouette, while some felt it was wasteful and regressive. Judging by Riley’s expressions, we all know how she feels about 50’s dressing