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Now at Lawler House Gallery, Suisun City, Ca though June 9 with several other pieces."I Want to Hold Your Hand" Acrylic, collage, charcoal, chalk on canvas .30x40" one of my newer and largest.
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Three California paintings at my parents’ booth at Tefaf New York — on view now, through Tuesday. •
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Upper left: Hill Hotels (oil and acrylic on canvas, 1993-1997) by Wayne Thiebaud. •
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Lower left: “Girl with a Cup” (oil on canvas, 1960) by Richard Diebenkorn. •
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Right: “Various Cakes” (oil on canvas, 1981) by Wayne Thiebaud.
Richard Diebenkorn’s “figure paintings, many featuring women sitting or standing within domestic interiors or exteriors, are at once mute and intimate, meditative as if capturing a moment in time in stereoscopic colour,” wrote Sarah C. Bancroft, curator of “Richard Diebenkorn” at the Royal Academy of Arts, London, in 2015. “The figures are rarely discernible as individuals, rather they are general players within the scene, a human presence that is but one part of the structure and interplay of the total composition; for this reason, their faces are often obscured or lack the definition of a true portrait. They are not lonely or positioned on the edge of mental desolation or disconnection, rather they serve as energetic components within a balanced whole.”
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This balanced whole is partially achieved by the artist’s division of the composition into three main sections, a technique he frequently used in both his abstract and figurative works of the time. See today’s earlier post for an abstract example of this tripartite division.
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Untitled, c. 1957–61, oil on canvas, 21 x 17 3/8 in. (53.3 x 44.1 cm)
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Quote taken from the essay “Richard Diebenkorn: A Riotous Calm” by Sarah C. Bancroft in the exhibition catalogue Richard Diebenkorn. Published by the Royal Academy of Arts, 2015
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Recapping 2018 with this display I did for @cerfclub for their holiday craft event in December. Place matched perfectly with the nuances and mood. #art #artofmanny #artlife #bayareafigurative #painting #oiloncanvas #polaroid #photographic #photoimpressionism #sfmomaartist #sfmomaartistsgallery #painter happy new year everyone!!!
Hurry! Today is your last chance to see this #JoanBrown at @untitledartfair SF courtesy of @anglimgilbertgallery Booth #B13!
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[Image: Joan Brown, "The Lesson: Hommage to Paul Brunton," 1981, enamel on canvas, 78 x 96 in., columns 72 x 18 in. each. © Estate of Joan Brown]
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Getting this Joan Brown packed up for Frieze! This is just one of her four monumental paintings that we’ll be showing at Frieze New York. Head to our website for more information (link in bio)
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Ok, I lied. There were some things I needed to tweak. It’s due now. I can no longer touch it. So this is the final product.
Painting a self portrait is so frustrating. It’s like looking at a single word for too long— suddenly you question if it’s even a real word.
I took this pic in a different light at a different part of the school So idk, man.
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Felt pretty relieved and enjoyed my time at #artspanopenstudios2018 this past weekend. Thank you to all that came by and help #supportlocalartists at @yosemiteplaceartists .... wish I could do this every weekend! #artofmanny #sfmomaartistsgallery #oiloncanvas #keepshowingup #bayareafigurative #artistsoninstagram #art #artist #bayareaart #photoimpressionism #photoimpressionist #studio #studiolife #artlife #openstudios2018 #bayview
My final for my oil figure painting class self portrait.
This semester was definitely frustrating, and not quite over yet—but just like after every semester, I’m just a step forward in the right direction.
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