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“The relationship between [Calder and Picasso] is not like the great friendship that existed between Braque and Picasso in the 1900s, or between Calder and Léger through both artists’ lives. It takes place more silently, but also more visually, in the works themselves,” writes Donatien Grau in his catalogue essay for Calder-Picasso. The exhibition is on view at the Musée national Picasso-Paris (@museepicassoparis) until 25 August.
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Image: Installation view, Calder-Picasso, Musée national Picasso-Paris. Photo: @rkurjak. © 2019 Calder Foundation, New York / Artists Rights Society (ARS), New York; © 2019 Succession Picasso, Paris
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#Calder #AlexanderCalder #CalderFoundation #Picasso #PabloPicasso #MuseePicassoParis #CalderPicasso
Each of the rainbow-like scales in Alexander Calder’s ‘Fish’ is a piece of discarded glass, which the artist has recycled and given a new lease of life.⠀
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This shimmering mobile is now on display at our Rockefeller Center galleries. Entry is free.⠀
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Alexander Calder (1898-1976), ‘Fish’, c.1952. Estimate: $12,500,000-16,500,000.⠀
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Post-War and Contemporary Art Evening Sale – 15 May at Christie’s New York.⠀
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#calder #alexandercalder #fish #mobile #contemporaryart #art #artwork #artist #reuse #zerowaste
Although Devil Fish does not actually move – is not ‘mobile’ – its contours and cast shadows suggest great gestural movement. Calder’s refusal to establish a firm divide between the natural world and industrial materials led to a new kind of animistic metal sculpture. This type of standing configuration, consisting of sheets of torqued metal, became the defining format for what is known as the ‘stabile’ (grounded sculpture). Devil Fish is Calder’s first bolted work and the first to be scaled up from a small maquette. It was originally exhibited in 1937 at the Pierre Matisse Gallery, New York. #NGV #Calder
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Image: Installation view Alexander Calder: Radical Inventor at NGV International
© 2019 Calder Foundation, New York / Copyright Agency, Australia.
Alexander Calder | Vertical constellation with yellow bone, 1943, Photo by Herbert Matter #slowroads
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#alexandercalder #calder #herbertmatter #sculpture #collectingdesign #1940s #fridakahloinspired #gabriellacrespi #gioponti #ginosarfatti #axelvervoordt #pietrochiesa #axeleinarhjorth #womenindesign #dvivalavida #palazzocenci #ignaziogardella #aldotura #midcenturymodern #1stdibs #adrianpearsall #pacecollection #artbasel #archidaily #bukowskis #piasa #theworldofinteriors
Over 14 feet in length when all of the elements are aligned, Alexander Calder’s ‘Polychrome from One to Eight’ is ever-changing and interacts constantly with its surroundings.⠀
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This elegant mobile is now on display at our Rockefeller Center galleries. Entry is free.⠀
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Alexander Calder (1898-1976), ‘Polychrome from One to Eight’, 1962. Estimate: $5,000,000-7,000,000.⠀
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Post-War and Contemporary Art Evening Sale – 15 May at Christie’s New York.⠀
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#calder #alexandercalder #mobile #contemporaryart #art #artwork #artist #newyork #gallery #exhibition
Alexander Calder: Radical Inventor opens today at the National Gallery of Victoria (@ngvmelbourne)! The first Australian retrospective of the artist introduces audiences to the full breadth of Calder’s influential career as an inventor of new artistic forms, providing a rich overview of his extensive oeuvre, including explorative two-dimensional studies of line and space, three-dimensional wire portraits and circus figures, as well as his most acclaimed artistic inventions, the mobile and the stabile. The exhibition will run through 4 August. You can find more information at the link in our profile.
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Image: Installation view, Alexander Calder: Radical Inventor, National Gallery of Victoria, Melbourne. Photo: @seanfennessy. © 2019 Calder Foundation, New York / Artists Rights Society (ARS), New York
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#Calder #AlexanderCalder #CalderFoundation #NGVMelbourne #RadicalInventor
“We notice the movement of automobiles and beings in the street‚ but we do not notice that the earth turns ... As truly serious art must follow the greater laws‚ and not only appearances‚ I try to put all the elements in motion in my mobile sculptures. It is a matter of harmonising these movements‚ thus arriving at a new possibility of beauty.” – Alexander Calder, 1932. View Snow Flurry III on display in Alexander Calder: Radical Inventor. #NGV #Calder
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Video: Installation view, NGV International
Snow Flurry III 1948
sheet metal, wire, paint
134.6 x 228.6 cm
Portland Museum of Art, Maine
Anonymous gift © 2019 Calder Foundation, New York / Copyright Agency, Australia.
REGRAM - Vue de l'exposition #CalderPicasso. Merci @melanienauche
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Merci @calderfoundation
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© 2019 Calder Foundation, New York / Artists Rights Society (ARS), New York
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