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presents | MAMAN •
P H O T O | @guillaume_est_ailleurs
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L O C A T I O N | Guggenheim Museum, Bilbao
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F E A T U R E D T A G #igworldclub_museum
#igmuseum
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selected by @beaobertini •
M A I L | igworldclub@gmail.com
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M E M B E R S | @igworldclub_thematic
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Un café con vistas ☕️ ...Museo Guggenheim. Bilbao. Frank Gehry. 1997 #Bilbao #Bizkaia #Vizcaya #Paisvasco #Euskadi #Paysbasque #Basquecountry #bilbaodesign #bilbaoart #bilbaoarchitecture #verybilbao #granbilbao #frankgehry #guggenheim #guggenheimmuseum #guggenheimbilbao #museum #museo #arte #bilbaostyle #ok_spain #puppy #jeffkoons #koons #hello_rooftops #bilbaoturismo
Este era o museu que tanto queria visitar em NY, obra do arquitecto Frank Lloyd Wright.
A rampa em espiral que vamos percorrendo até subir ao último troço, onde nos deparamos com uma claraboia abobadada, ao mesmo tempo que contemplamos obras de arte, fazem com que este museu tenha características únicas.
Wright criou um verdadeiro "templo do espírito" onde a arte e a arquitectura se encontram.
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Guggenheim Museum Bilbao
Jeff Koons- puppy
Beeindruckende Stadt und ein beeindruckendes Museum von Frank Gehry.
Das ist nicht nur die große Geste nach Aussen. Was Draussen versprochen wird, wird auch innen gehalten. Tolles Museum am Fluß.
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ANDY WARHOL
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Lavender Disaster | 1964 | @menilcollection
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It’s been few days… But I’m back! This painting, depicting fifteen images of electric chairs, is part of Andy Warhol’s infamous “Death and Disaster” series. Other works from the series include car crashes, suicides, and race riots. Though gruesome and distressing, these works are super important because they reflect Warhol’s maturation as an artist. Grappling with real life tragedy, the Death and Disaster paintings represent a more comprehensive and serious investigation of society than Warhol’s earlier works.
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One of the most fascinating things about these paintings is that every subject is taken from pop culture. For example, the image used in “Lavender Disaster” was appropriated by Warhol from the front page of a 1960s newspaper article about the death penalty. This is so interesting because Warhol used the same source — the media — for his earlier paintings of celebrities and consumer products. Hence, the Death and Disaster paintings are not a distinct series, but rather a grim extension of those earlier works. By conflating the two, Warhol chillingly suggests that we consume both pop culture and tragedy in the same, mindless manner.
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Another reason why these paintings are so special that they are still relevant today. In the age of social media, we often overlook tragic events as they roll through our instagram feeds. More than 50 years ago, Warhol predicted this careless consumption of tragedy. In 1963, he said, “when you see a gruesome picture over and over again, it doesn’t really have an effect.” I feel like this statement is truer now than it ever was. Furthermore, this painting stands out to me because it has the same dimensions as an instagram page… This repetition, coupled with a blissful lavender palette, strips the image of its gravity, just as the social media does today.
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Henry Geldzhaler, a curator at the Met and a close friend of Warhol, actually inspired the entire series. In the summer of 1962, he famously told Warhol, "It's enough life, it's time for a little death.” A few weeks later, Warhol reproduced a news headline that read: “129 Die In Jet!” The rest is history.
shot early morning at #bilbao #basquecountry #spain #españa the cultural city! #guggenheim #guggenheimmuseum #modern and #contemporaryart #art #photography #morning #travel #cityscape #architecture #cloudy #sky #dawn #overcast @discoverbilbao @discovertheworldspain @estaes_espania @discover.europe #nature #landscape @nikoneurope @nikonmea #nikon #life #earth #photooftheday
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