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Annabelle who? Dolly Dearest wins hands down in a deathmatch.
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Dolly Dearest (1991): An American family moves to Mexico to fabricate dolls, but their toy factory happens to be next to a Sanzian grave and the toys come into possession of an old, malicious spirit. .
It's been a while since I've seen this little gem, but if you ever get a hankering for a decent killer doll flick outside of the Child's Play franchise and Trilogy of Terror, give this one a try!
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Feels like a Goonies night! ❤♂️
Always good to have choices.
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REVIEW: BAD DREAMS (1988)
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So many uninspired slashers were released amongst the conglomerate of slasher in the 80s. Unfortunately, Bad Dreams is lumped in with ones that seemed to not want to try. It revolves around a woman named Cynthia who wakes up after being in a coma for 13 years. The cause of her coma came from a suicide pact amongst a cult that she belonged to as a child. The leader, Harris, reappears In her imagination and “kills” off the attendees of the psych ward in which Cynthia resides. Cynthia imagines Harris killing the residents but the kills are lousy and uninspired (drowning, falling out of a window, drinking poison) and are all self inflicted. In a slasher, you want to see some angry son of a bitch killing teenagers because they sinned, and I’ll be damned, this movie had none of that. I do love the idea of a dead cult leader trying to summon people from the living to join him in the afterlife, but it was just performed so dull in this movie. Charles Fleischer and EG Daly appear in small roles, so that’s rad I guess. I’m hard pressed to call this a slasher, but this film does two things pretty well.
1. Burnt up Harris looks pretty decent.
2. Sweet Child O’ Mine is the end credits song.
As a matter of fact, this film makes me want to watch the EXTREMELY superior Nightmare On Elm Street 3 (Which it’s clearly a rip off of) and review it next week. Hmm •
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Kill Count: 9
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Fun Fact: The lead actress Jennifer Rubin also starred as rebel Taryn in Nightmare on Elm Street 3: The Dream Warriors
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For Fans Of: Jonestown, Wishing you were watching NOES 3: Dream Warriors, Guns N Roses.
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Rating: 4/10
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Check out my other reviews: #slashincaptainreviews •
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Today has been a complete drag...
Clip from #SamRaimi's underrated supernatural horror film #DragMetoHell (2009). The plot of the film shows the hilarious creativity in top form from the Raimi Bros. who wrote the script and #SamRaimi's (Evil Dead, 1981) return to his roots of horror filmmaking and directing
#horrorfanatic #horrorfan #horrorgeek #horrorcollector #horrormoviecollector #horroraddict #horrormovieaddict #horroreveryday #horrornerd #horrorgeek #horrorfilms #scarymovies #horrorhead #horrorpage #horrorlife #horrormoviereviews #moviereviews
I rarely smile, but horror movies and being a part of the Gruesome podcast do that to a girl.
Check out all of @gruesomemagazine awesomeness.
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“The Grapes of Death,” directed by Jean Rollin:
This is my first taste of Jean Rollin’s cinema, and I must say, I am completely floored by what I’ve just experienced.
Elizabeth travels by train to the Cévennes mountains of France, where she hopes to join her fiancé, who works at a vineyard. Her and her friend’s peaceful travel is disturbed when a mad man attacks them, marking a fierce moment of madness that seems to be rife within the air of the mountainous region.
Made in 1978 over the course of eight to ten days, Rollin’s film plays out like an escalating nightmare, one you aren’t always too convinced of being actually awake from. The camera is almost always following Elizabeth as she walks throughout the barren mountains, and it maintains a low focus, which creates a hazy visual effect as if trying to replicate the blurriness of a fleeting dream.
Many would jump to compare the plague-like infection and behavior of the halfway dead/living villager hordes to that of Romero’s “Night of the Living Dead,” but Rollin’s vision of these maddened, rotting humans carries more weight, as many of the infected succumb to an inexplicable madness. Some fight their murderous urges, while others gleefully indulge in the bloodshed.
The violence isn’t extreme, still it’s surprisingly gory. People are stabbed, beheaded, shot and burned. The cinematic imagery ranges from beautiful nature alongside the mountainsides of France to the rot and oozing decay on the faces of the infected, which progressively worsens.
But, the film isn’t mindless splatter, Rollin fits in anti-war and anti-fascist commentary by way of two characters’ conversations that predates what Romero would go on to do in “Dawn of the Dead,” and solidify in “Day of the Dead.” Couple the commentary with a bleak ending that confirms Rollin’s ability to add a bit of personalization in a more mainstream/commercial effort of his and there lies a criminally under seen, dreamy movie about the paranoia of infection and the uncontrollable violence that dwells within the heart of humanity.
SLAUGHTER HIGH (1986)
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Kill Count: 13
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Fun Fact: Actor Simon Scuddamore (Marty Rantzen) died of an overdose just days after finishing filming for the movie.
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Fun Fact: At 33 years old, Caroline Munro (Maniac, The Abominable Dr. Phibes, Don’t Open Till Christmas) depicts an 18 year old in the film.
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Release Date: November 14, 1986
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Budget: $180,000
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Rating: 6/10
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Plot: After a prank goes wrong on April Fools Day in high school, Marty comes back to get revenge on the classmates responsible at their high school reunion.
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Five minutes into this film and you’re welcomed by Marty’s unholy trifecta (cock, balls and asshole). I literally wish I was kidding, but you see EVERYTHING. It is by far the weirdest beginning to a slasher movie I’ve ever seen... Anyways, During the killings, Marty wears a jester’s mask that isn’t too dissimilar from the one you see briefly in House On Sorority Row. It’s just a bit too hokey to be an effective killers motif, especially when the bells jingle every time he moves. For a movie that doesn’t have a single serious bone in its body’s it takes a while to get to the first kill (41 minutes to be exact.) After that, the kills come fast and often. If this movie has anything, it’s got great kills and excellent gore/ special effects (aside from the infamous Harryhausen-esque face melting scene.) Its almost nice enough to forget about the atrocious acting, almost. You can tell Harry Manfredini did the score, because it sounds exactly the same as everything he’s ever done, not that that’s a terrible thing. You can compare this film to what Nancy Reagan said about drugs in the 80’s; it’s whack. It’s worth checking out for the kills and gore, but that’s pretty much it.
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My other reviews: #slashincaptainreviews
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