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#tbt This is a great warmup exercise to work your finger independence. This grid is all the possible fingering combinations for playing a basic 1-2-3-4 pattern. Choose a combination and play it up and down the string sets. Use that metronome to keep good time! Credit to the master @guthrie.govan who was the first that I saw lay things out this way

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Back in the Saturday shred shed with my Fibenare FBB model . dm or comment for the transcription or watch the slow close ups in story • • • • • • Hagtash imminent! #legato #hybridpicking #fibenare #hawkpicks #guitarras #guitarriff #guitarristas #guitaris #fusionmusic #guitarmusic #guitartime #guitarvideo #guitarlife #guitarlover #shredguitar #instaguitar #guitaristsofinstagram #guitarlick #talentedplayerz #lickwars #riffwars #universityofrock #guitarpractise #mastersofshred #guitarshred #victoryamps #twonotes

In module one of my forthcoming video course ‘Triads: Inside Out’ we are going to learn the closed voicings of the four different triads. Here is a breakdown of the major triad and one approach to how you can visualise it on the fretboard. If you are familiar with interval shapes (check out my free video course on my YouTube channel if not) you can use major and minor thirds to create triads shapes. A major triad can be thought of as two thirds stacked on top of one another. For a major triad (in this example, C major) we have a major 3rd (C-E) on which we add a minor 3rd (E-G). A major triad is therefore major 3rd + minor 3rd

CAGED Chords Volume 2. This time we’re looking out how the CAGED approach can be used to visualise and learn dominant 7th chords. The Dominant 7th is a major triad with an added minor 7th (b7) above the Root (the notes in orange). It is formed from the 5th scale degree of the major scale (also named the ‘dominant’ from which the chord gets its name!) Questions in the comments and make sure you tag a friend (or five) who’d like this

With all exercises it’s a good idea to get as much value as you can from them. We can take the first exercise (1-3-4) but change the starting finger as we change strings