Список из самых популярных хештегов по теме #KAZIMIRMALEVICH

Kazimir Malevich #ukrainian #kazimirmalevich #easterneurope #london #tatemodern @tate @europeanarteast

M is for MAKEUP люблю букву М и люблю рисовать на лице ️ вот и мейкуп целиком,как вам? а у вас есть любимые буквы?:D ⠀ чем нарисовано: подводка @nyxcosmetics_russia epic ink liner жидкие матовые помады @limecrime.russia velvetines (squash, red rose, raven) ⠀ вдохновение: Малевич, @darya_kholodnykh и помадки . . . @36daysoftype #36daysoftype #36days_m #36days_13 #36daysoftype_06 #36days_adobe #suprematism #malevich #kazimirmalevich #theartistedit #inbeautmag #sharpedgesmag #небледно #modelmalay #хештегбледно #идеидлямакияжа #limecrimerussia #nyxcosmeticsrussia

Kazimir Malevich ...Russian,born Ukraine.1878-1953 Reservist of the First Division 1914 Oil on canvas with collage of printed paper, postage stamp,and thermometer #kazimirmalevich #malevich #russian #painting #moma #themuseumofmodernart #art #artist #arthistory #artwork #artworks #newyorkcity #nyc #amazingplaces #placetovisit #tripnyc

Всем привет! Сегодня в рубрике #культурныйпонедельник - Казимир Малевич. Родился он в 1879 году  в Киеве, в семьи поляков. О ранних годах его жизни известно не много и сведения крайне противоречивы. Малевич четыре раза подряд пытался поступить в Московское училище живописи, ваяния и зодчества, но все попытки так и остались напрасны, его туда так и не приняли. Его первые картины были написаны под влиянием французских импрессионистов и были созданы этом в стиле. Спустя какое-то время, он сильно увлекся футуризмом. Был одним из самых активных участником всех футуристических выставок, и даже работал над костюмами и декорациями, оперы под названием «Победа над Солнцем» в 1913-ом году. В 1910 – 1914 годах началась полоса признания творчества Малевича. Он принял участие в большом количестве выставок. Самое известное произведение – «Черный квадрат», стало своего рода точкой в искусстве. Художник совершил революцию, сделал шаг, на который до него никто в мире не мог решиться. ✨Кроме картин Малевич увлекался многими другими направлениями и был фактически родоначальником современного дизайна. Он создавал костюмы, конструировал модели зданий, посуду и многое другое. И по традиции больше интересных фактов в сториз :))

KAZIMIR MALEVICH'S CLASSIC IN LONDON - A CLOSE-UP PHOTO ESSAY DYNAMIC SUPREMATISM 1916▫️80 x 80cm ▫️Oil on canvas (Verso in Malevich's handwriting: "Supremus no.57. 1916"). . A▫️INSIGHT INTO TECHNIQUE 1▫️White base paint applied with florid brush strokes (▶️2-3) to prime the canvas, which illuminates the added top-layered paint. . 2▫️Pencilled-lines added for shape (▶️5-9). . 3▫️Unmixed paint (such as Cobalt Blue ▶️9) combined with subtle colour modulations (▶️2). . B▫️PERSONAL ELATION & ANXIETY IN 1916 From 1915, the elation of inventing and showcasing the first fully abstract painting style. He called this Suprematism (= most high), based on shape and colour. Anxiety as he has now been called-up as a soldier in the barbaric First World War. Would he be alive in 1917? . C▫️RUSHED EXECUTION Spot his pencilled guide-lines and the canvas surfacing (▶️2, 5-8). This painting profoundly extends his starting point of new art, his genius Black Square. This is MALEVICH at his most creative and intuitive. . D▫️DIAGONAL DIVIDERS Originating from Cubism, as an analytical painting device to slice the object, the Supremus 50 series used the diagonal axis as an organiser. The centred grey triangle provides a complex pointed arranger for form and colour. E▫️FRAGILE EQUILIBRIUM The centred grey triangle provides stability. Dynamism added with three pointed clusters of shapes. Here using a widened and softer colour palette than in 1915 F▫️ONE OF THE MANY RUSSIAN AVANT GARDES From the golden generation. Despite similar themes as #Chagall (in last post), with large area of white, diagonal divider and geometric shape, Malevich foreclosed on the object from real life. He went his own way. . G▫️1932 Part of Malevich's last public exhibition of painting in St. Petersburg in 1932. This denotes its importance for Malevich, following on from 'The Black Square' ▫️1915. . #КазимирМалевич #Малевич #kazimirmalevich #malevich #russianart #stpetersburg #suprematism #russia #russianavantgarde #london #londonart #colourtheory #colour #color #COLORTHEORY #geometricart #tatemodern #StPetersburg #triangle #stopthewar #Супрематизм #фактура

KAZIMIR MALEVICH UP CLOSE SUPREMATIST COMPOSITION WITH PLANE IN PROJECTION 1916▪️Oil on canvas▪️57 x 57cm. Painted at the inception of Suprematism in 1915. White background, black and two added primary colours. The vivid yellow plane in projection dominates. This can certainly be seen as an evolution of more form and two primary colours, following the genius and radical Black Square (1915) - His self-proclaimed zero point of non-objective art. . This painting again highlight another great example of Malevich being so creative and eager to execute this and then move forward with other creations. We see the bare canvas peak through(▶️ 6), examples of both unclean and smudged straight lines (▶️ 4-7). The need for Malevich to move onto the next idea shouts out from its rushed execution. Intuitive creation at its finest. I love the facture (#faktura) too. The human hand of Malevich. . I bumped into this in an unexpected view at Sotheby's in London on 8 April 2017. I got really excited (▶️video at 8). Even though I had seen it a number of times at Tate Modern in 2014. . Perhaps seeing this painting on its own got me to take a closer look. This is the first time I present many of these photos. . ◼️▪️◻️◾◽▫️⬜⬛▪️◾◻️▪️◽◻️⬛▫️◻️ . BMALEVICH'S IN HIS OWN WORDS FROM 1916 . 1SUPREMATISM IS NON-OBJECTIVE ART . To produce favorite objects and little nooks of nature is just like a thief being enraptured by his shackled legs. . Only dull and impotent artists veil their work with sincerity. Art requires truth, not sincerity. Objects (from nature) have vanished like smoke; to attain the new artistic culture, art advances toward creation as an end in itself and toward domination over the forms of nature. . 2COLOUR IS KEY FOR EARLY SUPREMATISM . I have untied the knots of wisdom and liberated the consciousness of color! . . #КазимирМалевич  #Малевич #kazimirmalevich #malevich #russianart #stpetersburg #suprematism #russia #russianavantgarde #london #londonart #colourtheory #colour #color #COLORTHEORY #geometricart #tatemodern #StPetersburg #stopthewar #Супрематизм #фактура

CHAGALL, MALEVICH & MORE IN MADRID Until 5 May 2019 View classics of #ArteRevolución, including from the great collection of the #russianmuseum #StPetersburg. Plus the amazing #costakis collection. A▫️MARC CHAGALL . 'The father of Surrealism' according to Andre Breton. You get the opportunity to look closely at Marc's work, including his time in #vitebsk #belarus (▶️2). . B▫️BRIEF TRAJECTORY OF MALEVICH (▶️1,3-8 & 10)▫️ . Founder of Suprematism, the first conscious non-objective art style, based on shape and colour. . Get to see his earlier #Fauvist red self-portrait (▶️3▫️1909). His #Cubist portrait of Ivan Kliun (▶️4▫️1913). Intense colour followed by analysis of form. . Malevich turned a corner. He combined the extremes of colour and form. With a dialetical explosion he arrived at 'The Black Square' in 1915. That is his gift to the world. One day the world will receive his genius gift. 104 years is too soon for most people to comprehend its genius. . View his larger rework of the Black Square (▶️5▫️C. 1920-23 ▫️79.5 x 79.5cm), the starting point of his new art, followed by the Black Cross and Black Circle (▶️1, 5-7). From these starting points he quickly expanded forms, colours with movement to create Dynamic Suprematism (▶️8▫️1916). . He gave up painting as 'the thing' in 1919, concentrating on writing, teaching, architectural concepts and more. The reworks of 'The Black Square' , 'Black Cross' and 'Black Circle' are at the route of his pedagogical system. Today, they are viewed as autonomous art. . Kazimir went back to painting from 1927, mixing Suprematism in portraits and landscapes (▶️10). . C▫️MORE OF THE RUSSIAN AVANT GARDE▫️. . Other artists on display, include Liubov Popova (▶️9), Rozanova, Goncharova and more. I have booked my flight for April to see some old friends I photographed in #Malaga (▶️1, 2-8 & 10), #Brussels (▶️2) and #Thessaloniki (▶️o). Plus some new ones to look at very closely. #Malevich #kazimirmalevich #chagall #marcchagall #liubovpopova #lyubovpopova #russianavantgarde #russianart #suprematism #surrealism #constructivism #spain #КазимирМалевич #Малевич #geometricalart #ЛюбовьПопова #russia #russianart #fundacionmapfre

. Re[Creation] _ \ Walker x Malevich . . . . . . . . . . #ArtDirection #CreativeDirection #GraphicDesign #ColorPhotography #AbstractPhotography #FashionPhotography #PortraitPhotography #ConceptualPhotography #PhotoJournalism #ContemporaryPhotography #FineArtPhotography #FilmPhotography #ContemporaryArt #Surrealism #Expressionism #Impressionism #Abstraction #GraphicArt #Contemporary #Vintage #Color #Collage #Colors #Graphic #RachelSteinCampos #TimWalker #KazimirMalevich

FANTASTIC RUSSIAN AVANT GARDE EXHIBITION IN MADRID FROM CHAGALL TO MALEVICH▫️Until 5 May 2019 My visit today of the exhibition, highlighted how #Moscow was the centre of world art innovation from 1915 to the early 1930s. #ArteRevolución indeed. The legacy of the breathtaking art innovation is mind blowing. Despite the world falling apart, from the 1910s to the 1940s. From 1915, Malevich's Black Square ▶️3 and his Suprematism would be at the centre of it. And it would change art and design. Including Futurist books designed by Olga #Rozanova in 1916 ▶️2. A circle would be flooded by light by Ivan #Kliun ▶️ 1 and 3▫️1923. . A simple off-centred black circle on a white background, by Malevich ▶️ 3, still challenges us. How uncanny. How edgy. Literally edgy. © @flommus. A revolution for the mind. No more unnecessary destructive wars ever again. A higher state of consciousness for the new human. New art for a new world, with a new mind-set. Alexandra #Ekster would join in, her way ▶️4. So would Alexander #Rodchenko ▶️5. Liubov #Popova ▶️6 did it her way. These three, and others, ended easel painting in 1921. To join forces in strengthening production of the depleted industrial base. . Malevich was impatient. He dreamed bigger. A huge vision. From 1923-26, Malevich designed future architectural models for the future Socialist planet. He called them Architectons ▶️7. Stalin came and #Malevich's great experiment was foreclosed. His laboratory in #stpetersburg was closed down in 1926. Or 'monastery' as it was called in Pravda. . Malevich was not the only one grappling with full abstraction in the 1910s. So was Larionov and Natalia #Goncharova from 1913 ▶️8. Vasilly #Kandinsky from 1911 ▶️9. Marc #Chagall would never get to it. He dreamed another way. The father of #Surrealism. But he was influenced by it, in those heady radical times ▶️10▫️1915. Tell me your favourite in the comments below. . More gems of the golden generation to come. . #russianavantgarde #russianart #ukraine #kazimirmalevich #marcchagall #liubovpopova #olgarozanova #suprematism #geometricalart #russia #madrid #constructivism #ИванКлюн #ivankliun #ivanklyun #red #КазимирМалевич